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Victoria Theatre

April 5 - April 8, 2013

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2961 16th Street San Francisco, CA 94103
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CROSSROADS 2013 CROSSROADS 2013
CROSSROADS 2013 A Festival of Recent & Rediscovered Avant-Garde Film, Video, and Performance Works presented April 5–7 by San Francisco Cinematheque at the Victoria Theatre 2961 16th Street in San Francisco curated by Steve Polta CROSSROADS 2013 is sponsored by Ninkasi Brewing, Cole Hardware and Puffin West Friday, April 5th 7pm: they invented machines... Nomadic Flesh (2007) by Luther Price; SAMHAIN (2012) by Eric Stewart; Absteigend (2012) by Paul Clipson; Tropical Depression (2012) by Kelly Sears; Pinball (2012) by Suzan Pitt; Fe (2010) by Eric Stewart; Manhole 452 (2011) by Jeanne C. Finley and John Muse; One Roll in the Blackness (2011) by Chris Kennedy; [2012] (2012) by Makino Takashi 9:15pm: Gigs in the Sky: Let There Be More Light! Audition (2012) by Karen Yasinksy; The Room Called Heaven (2012) by Laida Lertxundi; Them Oracles (2012) by Alee Peoples; Double Eagle by Sarah Grace Nesin; How to Quit Smoking at the Moon Hotel (2012) by Jessie Stead; Dusty Stacks of Mom (2013) by Jodie Mack Saturday, April 6th 2pm: (as if clinging could save us) HEALING (2012) by Stephanie Barber; Phantoms of a Libertine (2012) by Ben Rivers; In Reps of Long-Play (2012) by Olivia Ciummo; Prelude (2011–2012) by Roger Deutsch; Micro-Celluloid Incidents in 4 Santas (2012) by Janis Crystal Lipzin; The Plant (2012) by Mary Helena Clark; Animals Moving to the Sound of Drums (2013) by Jonathan Schwartz; Corn Mother (2012) by Taylor Dunne; Sticks and BirthStones (2012) by April Simmons 4:30pm: ...in which the players in the great spectacle vanish into mystery! Within (2012) by Robert Todd; Kudzu Vine (2011) by Josh Gibson; Light Streaming (2012) by Kathleen Rugh; Dew (2012) by Robert Todd; Crystal Gaze (2012) by Robert Todd; Jan Villa (2010) by Natasha Mendonca; True-Life Adventure (2012) by Erin Espelie; Victoria (2012) by Olivia Ciummo 8:30pm: APPARENT MOTION: dyemark / Beige / Crater Apparent Motion is CROSSROADS' annual celebration of projection as art and object, the cinematic exhibition apparatus exposed as a primal light and sound machine, an invention without a future, ripe for rediscovery. Evening includes performances by dyemark, Beige and Crater. Sunday, April 7th 3:00pm: on the beach (at night) Lost Ambulation (2012) by Danielle Short; The Sight (2012) by Jeremy Moss; Ponce de León (2012) by Jim Drain and Ben Russell; Matters of Bioluminescence (2012) by Robbie Land; The Fort (2012) by Talena Sanders; Concrete Parlay (2012) by Fern Silva; By foot-candle light (2011) by Mary Helena Clark 5:30pm: Scott Stark: Realism The Girl with the Prefabricated Heart (1947) by Fernand Léger; Compressive/Percussive (2010), Longhorn Tremolo (2010), and the world premiere of The Realist (2013) by Scott Stark. 7:30pm: “Slaves of Sleep” / “Destroy, She Said” Scarlet (2012) by Sharon A. Mooney; Gold Moon, Sharp Arrow (2012) by Malic Amalya and Max Garnet; Roadsides & Waste Grounds (2012) by Malic Amalya; The Invisible World (2012) by Jesse Mclean and Circle in the Sand (2012) by Michael Robinson