Event

Cantocore: Free On BoardPost an Event »

Mission 17

February 13 - April 19, 2009

Info

http://www.mission17.org/
(510) 467-4818

2111 Mission Street Suite 401 San Francisco, CA 94110

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This exhibition is a collaboration with The Garage Biennale, The Fabricatorz, and Ping Pong Gallery, China MISSION 17 Reception, Friday, February 13, 6 - 9pm www.cantocore.com Participating Artists: JD Beltran, Deer Fang, Wang Ge, Misako Inaoka, David O. Johnson, Guy Overfelt, Jon Phillips, Lin Fang Suo, Zhou Tao, Katherine Worel, Huang Xiaopeng. Curated by Deer Fang, Justin Hoover, Jon Phillips PRESS RELEASE: Cantocore: Free On Board is the second installment of a collaborative project, exploring the globalized conditions of contemporary culture, through an exchange specifically between artists from the San Francisco Bay Area and Guangzhou, China. The collaboration takes its inspiration and its name, "Cantocore," from the rapid economic, social, and cultural changes currently taking place in Canton province. Hip Hop is thriving, heavy metal music is blasting, and the art market is booming. Over the last 20 years, cities such as Guangzhou, the capital of Canton, have changed from having a uniquely Chinese culture into global cities influenced and informed by diverse forms of representation. During the same period, Chinese artists also have exerted a growing influence on culture across the globe - and perhaps nowhere more than here on the Pacific rim of California, where Chinese Americans have played a central role since its inception. Art and culture is no longer defined by merely national boundaries - if it ever was - and yet cultural differences persist, providing productive tensions, rich with critical and creative possibilities. Cantocore works to explore these globalized conditions of contemporary culture and the possibilities they present, by cultivating the dialogue specifically between the Bay Area and Guangzhou. Artists involved in the project include, among others, Americans with roots in China, Chinese who have come to study and work in San Francisco, and Americans who have emigrated to China. The first installment of the project, titled Cantocore: Import / Export, took place in September 2008 at the Ping Pong Space in Guangzhou. Cantocore: Free On Board provides the follow-up response. What common concerns inform these artists work? How does their art nevertheless read differently across the globe? How do the histories and environments of each city inform the aesthetics of the work produced and presented there; and how does the work transcend its geographic origins, drawing aesthetic and conceptual influence from elsewhere?