Event

God Only Knows Who the Audience Is: Performance, Video, and Television Through the Lens of La MamellPost an Event »

pick

CCA Wattis Institute for Contemporary Arts

April 21 - July 3, 2011

Info

http://www.wattis.org/
415-355-9670

360 Kansas Street San Francisco, CA 94103

Google Map »

Douglas Davis, The Last Nine Minutes, 1977, Live performance for international satellite telecast, Documenta 6

God Only Knows Who the Audience Is: Performance, Video, and Television Through the Lens of La Mamelle / ART COM is an exhibition produced by the graduating class of the Graduate Program in Curatorial Practice at California College of the Arts with the support of the Wattis Institute for Contemporary Arts. The exhibition will run April 21 through July 2, 2011, in the Wattis Institute galleries on the San Francisco campus of California College of the Arts. The exhibition is free and open to the public. There will be a reception event on Thursday, April 21, 2011, from 6-8 p.m. The artists include: Eleanor Antin, Rea Baldridge, Olaf Breuning, Chris Burden, CAC TV, Peter d’Agostino, Jaime Davidovich, Douglas Davis, Paul Forte, Terry Fox, Mario Garcia Torres, Lynn Hershman, Christian Jankowski, Martin Kersels, Paul & Marlene Kos, Noah Krell, Joel Kyack, La Mamelle / ART COM, Stephen Laub, Chip Lord & Phil Garner, Whitney Lynn, Tom Marioni, Raul Marroquin, Luis Felipe Ortega & Daniel Guzman, Ricardo Rivera, Bonnie Sherk, Barbara Smith, SOON 3, Pierrick Sorin, T. R. Uthco & Ant Farm, and Bill Viola. The exhibition investigates the notion of “performing” as a medium and a site of mediation. Using the publications and archives of the now-defunct gallery La Mamelle / ART COM as a frame of reference, the exhibition interrogates the range of different relationships between audience and artist through the presentation of a variety of traces—including photographic and filmic documentation, remakes, performances, ephemera, and broadcast-based works. Though the basis of the show is “historical,” referring back to artistic developments of the 1970s and 1980s, the exhibition traces and extends the conversations within these questions of media, representation, and audience up to the present day through the inclusion of works by contemporary artists. Give Them the Picture is a literary extension of the exhibition. This accompanying publication is not an exhibition catalog but rather a selected anthology of essays taken from La Mamelle and ART COM magazines. It places in dialogue 24 articles, penned by critics and artists. This collection represents the complexity of the above ideas as they were grappled with at the time of their original publication and positions them as contemporary questions. It also features conversations between the curators and two of La Mamelle / ART COM’s key figures, Nancy Frank and Darlene Tong. The publication will be available at the opening reception.