René Clair’s first sound film involves entanglements among a comely immigrant (Pola Illéry), a street singer (Albert Préjean), a petty criminal (Gaston Modot), and the singer’s best friend (Edmond Gréville); the film’s creativity and wit lie not in the plot but in Clair’s inventive technique. (82 mins)
Presented as part of our series Grand Illusions:
"A common canard of film history is that the French New Wave of the late 1950s swept aside the French cinema that had come before it, replacing a staid “tradition of quality” with a new, breathless energy. But even for Truffaut, Godard, and their Cahiers du cinéma brethren, the history of film in France, from the passionate poetry of Jean Vigo to the magisterial ironies of Max Ophuls, was an essential source of inspiration. This major series, presented in conjunction with New York’s Film Forum, surveys that history from the end of the silent era to the beginning of the sixties. Spanning four months and dozens of films—including both beloved classics and rarities, many in imported 35mm prints—Grand Illusions builds on our long tradition of exploring this most influential and enduring of national cinemas."
Tickets: $5.50 for BAM/PFA members, UC Berkeley Students; $9.50 for Adults; $6.50 for UC Berkeley faculty, non UCB students, seniors, youth, and disabled
